Thursday, November 12, 2009

Cherries 8



Cherries 8
Acrylic on Cradled Hardboard
12" x 12"

More fun with cherries and shadow designs.

Monday, November 9, 2009

Cherries 7


Cherries 7
Acrylic on Cradled Hardboard
12" x 12"
Returning to one of my favorite subjects and working in a
larger format, gives me more room to play with shadows.

Saturday, November 7, 2009

Before and After - Compare These Two Paintings



Ken's Fruit Tart Improved
Working on other paintings and having some time to revisit
"Ken's Fruit Tart", helped me to see that it needed more color.
I like the richer reds in the raspberries and darker blues in the
black berries. The "Before" painting, with less intense color is the
same as my last post in October. The other is the "After" version.
Sometimes it just takes time to see the painting in a "new light".

Wednesday, October 21, 2009

Ken's Fruit Tart



Ken's Fruit Tart
Acrylic on Cradled Ampersand Board
10" x 10"
Now that autumn is here, this is one of my fond memories
from this summer.

Fruit tarts, with fresh Oregon peaches, blackberries,
raspberries and strawberries, are a symbol of summer to me.
Who (of the award winning bakers in Portland) would earn my
vote for the best and inspire me to paint a fruit tart?
Ken's Artisan Bakery created a delicious tender crust,
light, creamy, vanilla filling and topped it off with an amazingly
artistic arrangement of fruit.
It looked like a good subject to paint. After taking
reference photos and enjoying the flavor, it earned my vote
for the Best Fruit Tart of Summer 2009. (It amazed
me, that this yummy treat made it all the way home and
through a photo session without being eaten!)

Thanks to Ken Forkish, owner of Ken's Artisan Bakery for
giving me the inspiration for this painting.
If you are in the Portland area, you might stop by Ken's
or check out his website:
Ken's Artisan Bakery
338 NW 21st AvePortland, OR 97209-1102
(503) 248-2202

Friday, October 9, 2009

Alisha - Step 6 (Final Step)


Alisha Step 6
On the top menu bar, I right clicked "Image". Then
Image>Rotate> Flip Horizontal was used to flip the image.
Back to the right side of the screen under Effects, I used
Brush Strokes> Sumi-e to create the darks. If you click on
Sumi-e, it will give you options to darken and change length of
strokes.
At this point I will study this composition, before making
any more changes. It is a good place to stop for now.
Have fun experimenting with these different Adobe Photoshop
Elements Effects and editing tools.

Alisha - Step 5 Soften Light on Door


Alisha Step 5
The Clone Tool (on the left side of the screen) was used to
select a medium value in the door (and with no perfection
in mind), softened the bright light on the door.
You can see on the right side of the screen under Effects,
the Distort>Glass used on the background.

Alisha Step 4 Blur Part of Background


Alisha Step 4 (Click on image above to enlarge)

Using the Polygon Tool, I selected the background area
around Alisha. Selecting the Filters (on the top menu bar)
or the Effects (on the right side of the
screen) I clicked on Blur> Motion Blur.
You will see in the next post how I used Distort> Glass to
demonstrate one more way to use Effects for the background.

Thursday, October 8, 2009

Alisha - Step 3 Cropping To Focus on Composition




Alisha - Step 3 (Click on image above to enlarge)
On the left side of the screen, you can see that the crop tool
has black in the background, which shows that it is the tool
that is selected.
I cropped by clicking on the crop tool, placing the upper left
hand corner of the crop tool on the upper left hand corner
of the image and dragging diagonally to the right. By cropping
to remove the lower part of the floor and door, I am able
to focus more on what I want to see.

Alisha - Step 2 Enlarging the Door Selection





Alisha - Step 2

Here you can see the image in Photoshop Elements 6 -
full screen, which shows you the layer palette on the right
and the Move Tool (which is selected) on the left.
You can see that the door was moved in the last step and

it is on a separate layer. When I clicked on that layer, the door

selection was still selected. You can see the "handles"
or small boxes on the sides of the selection rectangle. I
pulled the one on the right side of the selection to enlarge
the door selection. This makes Alisha's shadow larger and
a more important part of the composition.